Monday, May 24, 2010

Moving Furniture Trumps My Life

During the summer I move furniture. It's a lucrative job. I make more money than I would anywhere else. But it has its drawbacks, particularly for the upkeep of this blog. As you can see, my postage has really fallen by the wayside.

When I get home from an eight to 12 hour day at Scott Relocation Services, I'm completely exhausted, and not the kind of exhausted found after staying up too late or going on a long bike ride. My job produces a complete state of mental and physical exhaustion. I don't want to do anything when I get home, even if it's as easy as writing a blog post.

But I'll do my best.

As for now, I really don't feel like writing anything.

Wednesday, May 5, 2010

Summer! The Official Bill Shaner Mix

Summer is upon us! Well, maybe just me. This is is a glimpse at what's coming out of my speakers until september.

Telekinesis! - Telekinesis!


Michael Lerner, a twenty-something from Seattle Washington, writes and records everything Telekinesis! puts out, which is one album: Telekinesis!. I've been a big fan of it recently. It has a great natural sound and most of the album is catchy ("Calling all Doctors" in particular. Note how he plays drums on stage, that's really cool.) Better yet, the album was produced in part by Chris Walla, Death Cab for Cutie's guitarist/producer. Can you hear it? After I found out, I thought this song has a feel similar to The Photo Album, Death Cab's third full length; especially with "I Was A Kaleidoscope." The guitar and drum tones are a pretty similar.

But back to "Coast of Carolina," It's engergized and up-beat. If you see me rollin' 'round Milford any time soon, I may be making a fool of myself singing along at the top of my lungs.

Jónsi- Go

This is another good sing-along (if you're up on your Icelandic – yes, that is a real language). Jónsi is the head man of Sigur Rós, a good post-rock act and he recently put out his own solo project, Go. It retains a Sigur Rós feel – kind of abstract, slow paced with rich harmonies – while infused with some Coldplay-ish pop elements.

Here's the album's first track, "Go Do."


It's fun and different, a combination I don't often come by. It hooked me so much that I'm seeing him tonight at the House of Blues in Boston. It's gunna be fun. I haven't been to a good, fun show in a while and I'm excited.

Adventure Plus – In Case of Fire

Music doesn't get much more fun or energetic than this. A couple guys that graduated from my high school a few years before me put this together. Every part, whether it be vocals, drums, guitar, bass, is constantly moving. It makes you wanna jump and it'll be stuck in your head all day. Sometimes I forget these guys are local, because they have a sound that could take them places.Unfortunately there's no convenient youtube links since they aren't very big yet, but they've been kind enough to offer their album, In Case Of Fire, up for download. I highly suggest you get it.

Every song on that album is great for summer, but the best are "Go Home" and "We Killed The Carpool." So download the album and get these songs on your summer playlists!

Happy listening!

Tuesday, April 27, 2010

Regina Spektor Covers Radiohead's "No Surprises"

Spektor put this awesome cover on her website a few days ago. And let me tell you, it's awesome. Did I mention how awesome it is?


Regina is selling the song on iTunes and the proceeds will go to the Doctors Without Borders Emergency Relief Fund for recently earthquake-stricken Chile and Haiti.

The song is fitting, especially for Haiti, whose government and economy are among the most volatile in the world.

Yorke writes and Regina sings, "A heart that's full up like a landfill/A job that slowly kills you . . . Bring down the government, they don't speak for us." Words any poor Haitian citizen with a shabbily constructed house and an even worse income could say. "I'll take the quiet life/A handshake, some carbon monoxide/No alarms and no surprises."

It's actually haunting to listen to or read these lyrics with Haiti or Chile in mind, and I'd say that's the desired effect.

So you could buy the song on iTunes to do your part (and get a really awesome cover).

And you can listen to the original Radiohead version here.

Monday, April 26, 2010

Death Cab To Start Recording 7th Album

You heard it here first! Well maybe, but I heard it here and here first.

But anyway, Gibbard announced a few days ago that Death Cab for Cutie will begin recording in the summer and plan to release their album early next year.

The album doesn't have a name yet, but Chris Walla, the band's guitarist and producer, said it'll sound like something in between Narrow Stairs' "live and lose" feel and the more polished Plans, according to an MTV report.

Here is Gibbard discussing the album over the phone with MTV.


Seems like the band's doing it for the right reasons, and it seems
like Gibbard's excited. That's one thing I've always liked about
Death Cab. They just have fun. If I could pick one band and say
they'll never break up, it would be Death Cab. There's just no big personalities or butting heads, and they love making music.

I expect to grow up with Death Cab. I want them to keep producing good music for decades. I want to hear their music
mature and age with them. And I want them to keep doing it for
no other reason than that it's what they love.

Sunday, April 25, 2010

Chinese v. American

So I was reading the New Yorker (yes, I am an un-American leftist looney) and I happened upon an article written by a man who was born and raised in America, lived in China for 10 years, then came back. The article, titled "Go West, Scenes from an American Homecoming," essentially compares and contrasts Chinese and American life.

I really hesitated to write about this because the full article isn't free online. You can access it with a digital subscription or in the magazine ($6 anywhere that sells magazines). But I'll do my best to make this interesting without access to the article. Read a preview of it if you want, though it won't help much.

Anywho, I immediately liked the article because it didn't portray the Chinese as the communist drones we tend to think of (and saw in the opening ceremony of The Olympics). Instead, the author used language like, "Everybody [in China] seems to live in the moment," and he portrayed the Chinese moving crew who packed his apartment as incredibly hard and efficient workers, harder workers than the Americans who unpacked it on the other side. (Wait, I thought communism promotes laziness?). To be fair, he was also living in Shanghai, one of the more free places in China.

More interesting still was the comparison between Chinese conversation and American. What the author, Peter Hessler, noticed was the Chinese ask questions, see conversations as a way to gather information and learn. They don't do much in the way of sharing personal experiences, stories or ideas. The Americans, Hessler argues, are more quick to tell a story, share an experience, and they're much lighter on the questions. He said that where the Chinese listen, the Americans wait for their turn to speak.

Best example (I'll type it up, shhh don't tell the New Yorker):

The [American] driver talked non-stop for a hundred and twenty miles, He told stories about his ex-wife, and he described his studies of Biblical Hebrew; he had strong opinions about the Book of Daniel. Nowadays, he lived in a trailer court, but during the nineteen-sixties he had travelled for France, Spain, Greece, and Turkey. "I had a rich uncle who took me there."
"Wow, that must have been nice," I said. "What did your uncle do?"
"That was Uncle Sam."
People in China never talked like that. They didn't like to be the center of attention, and they took little pleasure in narrative. They rarely lingered on interesting details. It wasn't an issue of being quiet; in fact, most Chinese could talk your ear off about things like foodand money and weather, and they loved to ask foreigners questions. But they avoided personal topics . . . Probably it was natural in the culture where people live in such close contact, and where everything revolves around the family or some other group. (Page 53)

This says a lot about the difference between American and Chinese culture. In China, the basic ideal is the common good – everything for the country and everything from the country. America, however, is focused on the individual. We were all taught to be our own person, raise ourselves up, chase the american dream. America, at least modern America, is built on the rugged individualism ideal: life is for the taking, for personal triumph. Whereas in China, life is for the living, and for the betterment of the community.

So it makes sense that Americans like personal stories more. Life is all about personal goals and successes, and our own life story tends to be a favorite; just look at how stacked the biography section is at any bookstore. Everyone likes writing about themselves. We are very selfish creatures here in the U.S. of A. Gotta look out for number one (and turn number one's past experiences into interesting narratives, thus promoting self-worth through glorification.)

The role of the individual in China is diminished (or maybe it's just put into perspective. Some of my friends could use a little of that). The overbearing sense of one-cog-in-the-machine-ism (like that coinage?) makes personal narratives uninteresting.

I don't know whether that's better or worse than what we have here. But I can say one thing: If I were to tell my own life story, I'd tell it to a Chinese person. At least I know they'd listen.

Thursday, April 22, 2010

WikiLeaks and the U.S. Gov'ment's reaction

The concept is simple: submit something your boss/government wouldn't want the public to see so the public can see it. That's right, WikiLeaks.org makes whistle blowing fast and easy.

A really interesting component of the site comes with a video of a U.S. Helicopter mistaking some Reuters journalists and others for Iraqi combatants in 2007 (be careful, it's graphic). That's what got WikiLeaks into the headlines and that's how I found out about it.

More interesting still is the U.S. Government's resistance to releasing the video, and it's resistance to WikiLeaks (I'll talk about that later). Shortly after the killing, Reuters filed a Freedom of Information Act suit to access the video, which the government has resisted to this day. They didn't even investigate the
killings until requested by Reuters.

That poses the question: what should the government keep from us? If you ask me, I will always always always say "absolutely nothing." A democracy can't fully function without all its components in the know and passing judgement (hence newspapers, read one!). That's how a democracy should work, but then again, what we have in the U.S. isn't a true democracy.

Anyway, the government shouldn't keep stuff like this from us. It's important. The people who actually fight wars aren't the suits in Washington playing games with Reuters. The people who fight wars are the (mostly poor, mostly young, mostly with nowhere else to turn) common citizens. To keep them sheltered from what happens in war is vile, manipulative, and propagandizing in the worst sense of the word.

Furthermore, the government tried to ban WikiLeak in 2008. Ironically, their plan was posted on WikiLeaks about a month ago.

The government report included this in their reasoning:
“Several foreign countries including China, Israel, North Korea, Russia, Vietnam, and Zimbabwe have denounced or blocked access to the Wikileaks.org website.”

Excuse me? China? Russia? North Korea? Did we not go to war with North Korea to "protect man's basic human right to democracy and freedom"? Did we not spend the better half of the 20th century in an arms race with the "commie bastards" in Russia to, again, "protect democracy and freedom"?

If our government is seriously trying to use the fact that communist countries block access to to this site as a justification for why we should, I'm throwing my hands in the air and promptly moving to Canada.

This goes so contrary to to the ideals of democracy and freedom. It's horrifying. What else have they kept from us? It also raises questions as to whether or not we went to war with Russia (kinda) and North Korea. Was it really to "protect democracy"? Or was it to ensure Russia wouldn't get too powerful and threaten our handle on the world. I'm leaning towards the latter. Maybe it was something else. I mean, hell, there's no way we can know if the government never told us.

In any case, what the government did is disheartening at best. WikiLeaks, however, is not.

Monday, April 19, 2010

Good Music, And It's Free! And There's A Video!

Everyone likes free music, right? Free music is awesome. Free music is even better when its legal. Free music is even even better when it's from The Antlers. It's even even even better when it comes with a video.

The Antlers, whom I've
written about before, put a (kinda) new EP, New York Hospitals, plus the music video for "Sylvia" off their full-length Hospice, up for free on their website. They're even nice enough to share the html code for the download tool, so here it is below as well.









The music video is in a style similar to The Antler's others. Its a sort of pseudo-colonial setting, loaded with sepia toning and slow motion. It's confusing given that Hospice is a concept album set in a modern hospital. But whatever, I guess you don't win indie cred with videos that play out a concept album's story. It's a cool looking video regardless.

The EP features an understated electronic remix of "Sylvia." The album version (also used in the video) is grand and climactic, and I like it a lot more than this version, but the EP version is a nice change of pace.

The other song, "Nothing Matters When We're Dancing," is a Magnetic Fields cover. In typical Antler fashion, they take the original song and make it less happy, slower and give it some soul. Not complaining, but I'd really like to see if The Antlers can make a happy song. Hear me, Antlers? Happy. Try it.

Anyway, download it. It's free! And get into The Antlers. I guarantee you'll like 'em. If not, at least you can throw the name around for indie cred.

Ain't no cred like indie cred, as they say (by they I mean me).

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